I read today of the death last month of Jeanne-Claude, the wife and collaborator of the artist Christo. Her husband, knows for his large-scale temporary art projects throughout the world, often said that he could do nothing without her. Theirs was indeed a deep artistic collaboration.
Born on the same day (he in Bulgaria and she in Morocco), the couple met in Paris in the 1950s, when he was a struggling young refuge from his native country. He had already been working under the single name “Christo” and continued to use that name—at her insistence, because she thought it was catchy and would help establish him—until the 1990s, when he insisted at all projects carry the signature “Christo and Jeanne-Claude,” including those done before the 1990s.
Her huge personality and carrot-colored hair were well loved in New York, where the couple lived. At her death, they were continuing planning for “Over the River,” a series of panels to hang over the Arkansas River in Colorado. We have a poster of a drawing of this project and hope to travel to Colorado to see it when it is completed.
In the winter of 2005 Mike and I were lucky enough to travel from our home in Washington, DC, to Manhattan to experience “The Gates,” one of Christo and Jeanne-Claude’s most memorable pieces. We wandered through the paths of Central Park, under some of the 7,500 banners reminiscent of the color of her hair installed overhead in a monumental effort that spanned 23 miles. We visited on a Saturday afternoon, with thousands of cheery New Yorkers and their families. The next morning our host woke us up to tell us it had snowed. We dressed quickly and walked the half-block to the west side of the the park. We were nearly the only ones there. It was a magical moment we will never forget. With her husband, Jeanne-Claude left an indelible mark on the world.
Further reading;
| Buck and Mike at “The Gates,” Central Park, New York, 2005 |
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